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The start/stop intro"One, two, three o'clock, four o'clock, rock"masterfully sets up the final line of the stanza in which the entire group hammers down single, quick chords on the emphasized syllables: "ROCK" "aROUND" "the CLOCK" "toNIGHT." Haley's energetic vocal, the simple yet effective saxophone break, the speedy and brief guitar lead and even the final, intentionally irregular drum riff sustain interest to the end
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The musk & the vetiver are presented gently to overcome the scene with mystery rather than animalic, dirt, or skunk, it just presented it calmly, pretentiously, and very elegantly
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